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The Gleaners and I
''The Gleaners and I'' ((フランス語:Les glaneurs et la glaneuse), "The gleaners and the female gleaner") is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. It was entered into competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world. In a 2014 ''Sight and Sound'' poll, film critics voted ''The Gleaners and I'' the eighth best documentary film of all time.〔(【引用サイトリンク】title=Silent film tops documentary poll )〕
==The subjects==
The film tracks a series of gleaners as they hunt for food, knicknacks, thrown away items, and personal connection. Varda travels the French countryside as well as the city to find and film not only field gleaners, but also urban gleaners and those connected to gleaners, including a wealthy restaurant owner whose ancestors were gleaners. The film spends time capturing the many aspects of gleaning and the many people who glean to survive. One such person is the teacher named Alain, an urban gleaner with a master's degree who teaches French to immigrants.
Varda's other subjects include artists who incorporate recycled materials into their work, symbols she discovers during her filming (including a clock without hands and a heart-shaped potato), and the French laws regarding gleaning versus abandoned property. Varda also spends time with Louis Pons, who explains how junk is a "cluster of possibilities."
This film has an unexpected brief interview with the psychoanalyst Jean Laplanche, plus follow-up segments on some of the featured people.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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